 No one could stop John Dillinger and his gang. No jail could hold him. His charm and audacious jailbreaks endeared him to almost everyone -- from his girlfriend Billie Frechette to a public who had no sympathy for the banks that had plunged the country into the Depression. But while the adventures of Dillinger' gang -- later including Baby Face Nelson and Alvin Karpis -- thrilled many, J. Edgar Hoover made Dillinger the first Public Enemy Number One and sent in Melvin Purvis, the dashing "Clark Gable of the FBI." However, Dillinger and his gang outwitted and outgunned Purvis' men in wild chases and shootouts. Only after importing a crew of Western ex-lawmen (newly baptized as agents) and orchestrating epic betrayals -- from the infamous "Lady in Red" to the Chicago crime boss Frank Nitti -- were Purvis, the FBI and their new crew of gunfighters able to close in on Dillinger. Cast Notes: James Russo (Walter Dietrich), David Wenham (Harry 'Pete' Pierpont), Christian Stolte (Charles Makley), Jason Clarke (John 'Red' Hamilton), Johnny Depp (John Dillinger), John Judd (Turnkey), Stephen Dorff (Homer Van Meter), Michael Vieau (Ed Shouse), John Kishline (Guard Dainard), Wesley Walker (Jim Leslie), John Scherp (Earl Adams), Elena Kenney (Viola Norris), William Nero Jr. (Farm Boy), Channing Tatum (Pretty Boy Floyd), Christian Bale (Melvin Purvis). User Comment: eschete from Louisiana, 3 July 2009 • Who was John Dillinger? We all know he was a flamboyant criminal who robbed banks, but who WAS he? The question of who Dillinger WAS is far more interesting than the question of what Dillinger DID, but this film, sadly, chose only to concentrate seriously on the latter and gave up almost immediately on the former. This film goes out of its way--with a poor grasp of history's time-line, by the way--to show us what Dillinger did and who he hung around with, but it does next to nothing to explore who Dillinger was as a person or even as a criminal. It hints that Dillinger might be a passionate lover and loyal friend, but shows us little evidence aside from a few thrown-together seduction scenes (which make his girlfriend/heroine look like a dim-witted pushover) and an awkward love scene. Even Dillinger's foil, Melvin Purvis, is a mystery in Mann's hands. Did he care about justice at all, or was he just a fascist on a personal crusade? Was he competent in the least or was he just a bumbling idiot? Squinty-eyed stares can only convey so much, after all. Michael Mann seems to be in a terrible hurry to tell this story, as he is stuck between the rock of having to relate a relatively complete "crime-ography" of a notorious American gangster and the hard place of keeping the movie shorter than 2 1/2 hours. As a result, a beautifully shot and edited movie that had a lot of promise ends up little more than a dumb, shoot-'em-up action movie wearing the fedora of "historical romance." Good for a date, but not a serious film. Grade: C+. Things to look for: Mann's ham-handed and laughably obvious political commentary on the use of torture about 2/3 of the way through the movie; psychotically trigger-happy Baby Face Nelson well-played by Stephen Graham; cool old products (Zenth radio); great fashion sense. Summary: Well-Made Cinematically, But Shallow. IMDb Rating (11/16/09): 7.3/10 from 43,526 users
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